The talented musician, a key member of the innovative 1980s synth-pop band Soft Cell, has passed away at the age of 66.
Alongside vocalist Marc Almond, the pair achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record their initial full-length release is regarded as a classic of synth-pop.
He subsequently formed the innovative electronic act The Grid, who secured popular acclaim with 1994's Swamp Thing.
Ball passed away peacefully in his sleep at his home in London on Wednesday 22 October, only a short time after playing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.
At that show, Ball performed in a mobility chair, as he had for the last two years, after a period of ill-health.
"I managed to damage myself significantly," he commented in a recent interview. "I fractured spinal bones in my back and fractured about multiple ribs and fractured my arm."
After contracting a lung infection and developing sepsis, he was put in an medically-induced sleep and stayed in the hospital for half a year.
However, he had been in "high spirits mentally" during the summer, as he was developing a fresh record with Almond, titled the upcoming Danceteria, which is scheduled for release next year.
"He was concentrated and so happy with the new album that we literally finished only a short time ago," said the singer in a tribute.
"It's so sad as next year was all set to be such an positive year for him, and I find comfort from the knowledge that he listened to the completed album and felt that it was a great piece of work."
Almond described his bandmate as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.
"Many thanks Dave for being an significant part of my life and for the music you gave me. I wouldn't be where I am without your influence."
Richard Norris from The Grid, shared his condolences, remembering Ball's "endless laughter" and "unwavering friendship".
"Forming a duo with someone is distinct from being in a band, the connection is very tight," he continued.
"That was the case with us. We went through so many remarkable, incredible, life-affirming moments together. Many thanks, Dave."
Brought into the world into a one-parent family in Chester in the late 50s, Ball was put up for adoption when he was a year and a half of age.
He grew up in the seaside town with adoptive parents Donald and Brenda Ball, who altered his first name from his birth name to his adopted name, alongside his sibling Susan, who was similarly welcomed.
He encountered Almond at an art college in the late 70s, where they were both learning art. Inspired by a shared love of a music genre, they formed Soft Cell the very year, and quickly recorded an EP.
The pair were an distinctive pairing: Ball was the reserved musician, bent over his keyboard, while Almond was a flamboyant showman, all sparkle and makeup; but they achieved a unique creative synergy.
Ball had developed a fascination with electronic instruments after viewing the band Kraftwerk perform on a television science show Tomorrow's World, and started to combine moody electronic sounds to the catchy tunes Almond was writing.
Their signature song became the United Kingdom's second most popular single of 1981, shifting 21 million units worldwide. Alongside hits by other artists, Human League and Ultravox, it contributed to cleared the way for the synth-pop sound of the 1980s.
The track was also featured on their first album, their initial LP, which spawned two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.
They continued the album up with the separate release, Torch, which reached at number two in 1982.
Fame had its upsides. "I enjoyed being able to purchase my initial property, having financial security and travelling, which might seem like a beauty queen," Ball not long ago told with a publication.
But it also caused challenges. "Newfound wealth allowed we could purchase substances to alleviate the monotony" of press appearances and TV performances, Ball explained.
"I know that's a clichΓ©, but it's a clichΓ© for a good reason, because it works for so many bands."
During the party-filled existence, the pair were also drifting apart, but they managed to create a follow-up memorable record - the unconventional, edgy and aptly-titled The Art Of Falling Apart.
They released another LP, their 1984 release This Last Night In Sodom, before dissolving the band to concentrate on individual endeavors.
Almond proceeded to have a prosperous individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with ambient pop over a long-lasting partnership.
Soft Cell came back together in 2001, producing the Top 40 record Cruelty Without Beauty.
After another break, they reappeared in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the O2 Arena on September 30, that year.
However, they stayed active, recording their fifth album, Happiness Not Included, during the 2020 restrictions.
Ball recently characterized the duo's upcoming release as a tribute to the New York club scene they visited while making their initial records.
He added that his period in medical care had shaped the band's sound.
"I experienced strange recollections when I was coming and going of the hospital because I was on pain medication," he told a publication.
"The new songs are a electronic representation of the sounds in my mind from those days.
"Simultaneously, it's about the times me and Marc got up to in the 80s."
The final mixes were finished only a short time before Ball passed away. It is scheduled for launch in Spring 2026.
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